It opens with a fat and farty gross synth bassline. Ok … Juno and other 80s synths added on top, all a bit like in a Marching Circus or maybe some disarticulated alternative cartoon character musical theme? Sometimes the most efficient film music is the one you heard but didn’t stop to. Of course the job is to support the screen, the scene and not to dominate it. I just wonder in this case if the monotony of the music means that it worked great with the pictures or if it does strictly follow the film and the whole combination is lengthy and boring? I have no clue, do you?


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Noël Akchoté



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