With his two transcendental and minimalistic Jung An Tagen releases »Vielheiten« (2014) and »Äußere« (2015), Vienna based Stefan Juster made himself a key player in the post-noise techno scene. Because Juster changes his moniker more often than his underwear, it is difficult to keep a hold on who he is and what he did, but a quick search on Discogs learns us: he released on labels such as Blackest Rainbow, Not Not Fun and 100 % Silk, and that he worked together with likes of Tom Greenwood, Kevin Drumm and Didi Bruckmayr. Besides that, he’s the main man behind the Virtual Institute Vienna (VIV), who’s responsible for the visual part of Jung An Tagen’s music. Time for an interview.

I will probably give you a different answer every time you ask me, but for now, Mad Nanna’s out of tune, out of place and out of time collection of lazy and aloof lofi recordings on the »I Made Blood Better« tape was the best reord of 2011. A small talk with Mad Nanna’s songwriter Michael Zulicki.

Back to the future. Or maybe tape labels have never really gone away. Anyway, I like the Connecticut based tape label Goaty Tapes because of its careful and naïve hand-collage layout that ties together a well-selected bunch of artists. A word with its founder; history student Zully Adler.

With his debut CD »The Music Of Belief«, ex-junknoiser and now full time hypnagogic pop star Lieven Martens released one of the defining releases of its genre.

Wir leben nur noch Kunst und Musik, alles andere ist Nebensache.