So Sner is the duo of bass clarinettist Susanna Gartmayer and electronic musician Stefan Schneider. »The Well« is their second collaborative album, out on Schneiders TAL label.

Hexenhammer is a self-called Gen X metal band from Columbia, Tennessee. They started out in 1984, took a hiatus and returned in 2023 with »Hyberacula«.

Droomwolkje is a trancecore DJ from Brussels, living in Ghent. She effortlessly incorporates J-core, hard trance melodies, hyperpop, hardtek grooves, ambient and bass into her DJ sets.

Furgur et Morte is the new moniker of prolific black metal veteran Déhà. With two albums in one month, he confirms his quantitative and qualitative output.

David Roeder makes head-scratching and otherworldly sound explorations as Nein Rodere. He also plays in bands such as CD3 and Primitive Structures.

Aerdryk is the brainchild of Belgian black metal artist Corvus. His debut LP »Met De Driertand Op Mijn Huid« is a gritty and bass-heavy album based on the folklore of the Flanders region. A new release is on its way.

After knowing each other for 20 years and trying to put together a tour for over a decade, Marcia Bassett and Ignatz finally made it happen and played several shows together. The result of that effort is archived as a tape, which is out now.

Vienna-based saxophone player Michael Masen blows his horn mostly straight and hard, sometimes more nuanced. He’s no bullshit, in attitude and deliverance. You might know him from bands such as Mozo Mozo and FS Massaker, and collaborations with Linda Sharrock and Virginia Genta.

Joeri Cooremans solo black metal project Zwarte Dood delivers some of the dirtiest sounds around. In our interview, he talks about how sound, noise and music can evoke deeply personal, spiritual and ritualistic experiences.

Oerheks is a Belgian Black Metal act whose music is based around the folklore of his hometown Kaggevinne.

»iiinox« is a solo drum album by French out-of-the-box thinking percussionist Charles Dubois. In our interview, he talks about the intentions behind his work.

Syöttökäärme is a psychrock-band from Finland who just released their self-titled debut album, which is full of kosmische musik-based endless boogie.

»Piffiverse« is the debut EP by Antwep-based pop artist Piffy. It contains contrasting and vulnerable pop tunes.

»Delayed for Repetitive Reasons« is an LP by Italian drummer Valentina Magaletti and the trio Jeugdbrand – Dennis Tyfus, Sigtryggur Berg Sigmarsson and Jeroen Stevens. It’s the first release on Neo Müller’s Stoma Street Verlag.

Bruges-based psych folk veteran Edgar Wappenhalter aka Steve Marreyt made an album inspired by Dutch non-conformist and communist poet Sonja Prins. 

Younes Zarhoni is a Brussels-based visual artist and electronic musician with Moroccan roots who mixes polyphonic madrigals with 1990s R&B production.

Jack Paton is the singer / voice / noise behind the Band L. We asked him for an interview on occasion of release of their debut »Marilyn Monroe – All of Us«.

Alpha Morzel is a new label from Belgium concentrating on extreme music. Its first release is a tape by US harsh noise act Meketa. We asked label founder and graphic designer Bram Kluizenaar also known as Kluzehellion for an interview.

In our interview, electronic musician Ryan Hill aka Kagami Smile talks about his influences from the US and China and what makes his sound »dreampunk«.

With his two transcendental and minimalistic Jung An Tagen releases »Vielheiten« (2014) and »Äußere« (2015), Vienna based Stefan Juster made himself a key player in the post-noise techno scene. Because Juster changes his moniker more often than his underwear, it is difficult to keep a hold on who he is and what he did, but a quick search on Discogs learns us: he released on labels such as Blackest Rainbow, Not Not Fun and 100 % Silk, and that he worked together with likes of Tom Greenwood, Kevin Drumm and Didi Bruckmayr. Besides that, he’s the main man behind the Virtual Institute Vienna (VIV), who’s responsible for the visual part of Jung An Tagen’s music. Time for an interview.

I will probably give you a different answer every time you ask me, but for now, Mad Nanna’s out of tune, out of place and out of time collection of lazy and aloof lofi recordings on the »I Made Blood Better« tape was the best reord of 2011. A small talk with Mad Nanna’s songwriter Michael Zulicki.

Back to the future. Or maybe tape labels have never really gone away. Anyway, I like the Connecticut based tape label Goaty Tapes because of its careful and naïve hand-collage layout that ties together a well-selected bunch of artists. A word with its founder; history student Zully Adler.

With his debut CD »The Music Of Belief«, ex-junknoiser and now full time hypnagogic pop star Lieven Martens released one of the defining releases of its genre.

Wir leben nur noch Kunst und Musik, alles andere ist Nebensache.